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for Samsung.

Illustrator Duke Riley
“My work addresses the prospect of residual but forgotten unclaimed frontiers on the edge and inside overdeveloped urban areas, and their unsuspected autonomy. I am interested in the struggle of marginal peoples to sustain independent spaces within all-encompassing societies, the tension between individual and collective behavior, the conflict with institutional power. I pursue an alternative view of hidden borderlands and their inhabitants through drawing, printmaking, mosaic, sculpture, performative interventions, and video structured as complex multimedia installations. 
I work in the tradition of field naturalists, seeking and gathering data, artifacts, and specimens outdoors, transporting them inside for closer observation and study, displaying them in museum-like diorama settings. I combine populist myths and reinvented historical obscurities with contemporary social dilemmas, connecting past and present, drawing attention to unsolved issues. Throughout my projects I profile the space where water meets the land, traditionally marking the periphery of urban society, what lies beyond rigid moral constructs, a sense of danger and possibility.”

Illustrator Duke Riley

“My work addresses the prospect of residual but forgotten unclaimed frontiers on the edge and inside overdeveloped urban areas, and their unsuspected autonomy. I am interested in the struggle of marginal peoples to sustain independent spaces within all-encompassing societies, the tension between individual and collective behavior, the conflict with institutional power. I pursue an alternative view of hidden borderlands and their inhabitants through drawing, printmaking, mosaic, sculpture, performative interventions, and video structured as complex multimedia installations. 


I work in the tradition of field naturalists, seeking and gathering data, artifacts, and specimens outdoors, transporting them inside for closer observation and study, displaying them in museum-like diorama settings. I combine populist myths and reinvented historical obscurities with contemporary social dilemmas, connecting past and present, drawing attention to unsolved issues. Throughout my projects I profile the space where water meets the land, traditionally marking the periphery of urban society, what lies beyond rigid moral constructs, a sense of danger and possibility.”

Automobile typography archive.

Automobile typography archive.

Dimensional sign archive.

Dimensional sign archive.

Historia typeface my Emigre.

Historia typeface my Emigre.

Fraktur writing for the Legacy of Letters italian tour, organize by Paul Shaw, NYC.

Cyclone typeface by HF+J.

Cyclone typeface by HF+J.

Superb copywriting for McDonalds

Mini Cooper Challenges Porsche to Race?
Brilliant? yes.

The Evolution of the World Cup Soccer Ball
from The New York Times.

The Evolution of the World Cup Soccer Ball

from The New York Times.

Illustrator Tristan EatonBio: Born in Los Angeles in 1978,  Tristan Eaton began pursuing street art as a teenager, painting  everything from billboards to dumpsters in the urban landscape of  wherever he lived, including London, England and Detroit, Michigan.  Since then, Eaton has been the Director of Toy Design for the infamous  Kidrobot, and recently formed “THUNDERDOG”, his very own toy company  & full service design studio, based in D.U.M.B.O., Brooklyn.Clients: ABSOLUTE,  Agent 16, Curious Pictures, Def Jam Records, EA Games, Harper Collins  Childrens Books, Magazine, NIKE, Psyop TV, Rockstar Games, Rolling  Stone, TBWA Chiat Day, Wall Street Journal, Wired, XBOX

Illustrator Tristan Eaton
Bio: Born in Los Angeles in 1978, Tristan Eaton began pursuing street art as a teenager, painting everything from billboards to dumpsters in the urban landscape of wherever he lived, including London, England and Detroit, Michigan. Since then, Eaton has been the Director of Toy Design for the infamous Kidrobot, and recently formed “THUNDERDOG”, his very own toy company & full service design studio, based in D.U.M.B.O., Brooklyn.
Clients: ABSOLUTE, Agent 16, Curious Pictures, Def Jam Records, EA Games, Harper Collins Childrens Books, Magazine, NIKE, Psyop TV, Rockstar Games, Rolling Stone, TBWA Chiat Day, Wall Street Journal, Wired, XBOX

South African illustration house Am I Collective commissioned by Wieden and Kennedy to create 32 World Cup murals.
view the Flickr set here.
view Am I Collective here.

South African illustration house Am I Collective commissioned by Wieden and Kennedy to create 32 World Cup murals.

view the Flickr set here.

view Am I Collective here.

Site Inspire
Browse 1,730 websites by style, theme, and type, or view a  random  selection. You can also see the very best.

Site Inspire

Browse 1,730 websites by style, theme, and type, or view a random selection. You can also see the very best.

Amsterdam-based creatives Bas van de Poel and Daan van Dam created these t-shirts in support of the Dutch Football Federation for the 2010 World Cup. When a player of the Dutch team scores, tee-wearers can pull the front of the shirt over their own faces and become one of the players.   -Creativity Online

Amsterdam-based creatives Bas van de Poel and Daan van Dam created these t-shirts in support of the Dutch Football Federation for the 2010 World Cup. When a player of the Dutch team scores, tee-wearers can pull the front of the shirt over their own faces and become one of the players. -Creativity Online

Outdoor for Kill Bill.

Outdoor for Kill Bill.

About:

Scotch & Ginger is a collaborative resource for Art Directors and Copywriters; a constantly growing reference for those who are required to be creative on a daily basis. It's an online toolbox where you can find type foundries, director's reels, production houses, photographers, paper stock, software tips, inspiration and more. Bullshit artists need love too.

Have a tool, site, article, photographer, illustrator, director or anything else you use and want to recommend? Click the SUBMIT button on the right so we can add it to the Scotch & Ginger database.

About Me:
Apparently, my parents named me Travis and I am an Art Director at Arnold Worldwide in Boston. For more info on me, drop me a line or visit my personal site:

www.sharperthanaknife.com

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